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“Modern Armenia” Silk Scarf
70 x 180 cm / 100% Silk
$90.00Quick View“Modern Armenia” Silk Scarf
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“Cuneiform” Silk Scarf
In the mid-9th century BC, one of the most powerful states of the Ancient Near East, known as Urartu from Assyrian inscriptions, came down to the historic scene in the Armenian Highland. The Urartians called their country Biainili. It is mentioned as the Araratian Kingdom in the Bible.
Artefacts found, bear witness to a highly developed civilization of ancient Eastern type with a solid state system, literature, original ritual-religious system, prospering towns, crafts and arts. Urartu collapsed in the struggle against the Medians, Babylonians and Scythians in 585 BC. After the decline of the Urartian statehood, the kingdom of the Armenian Yervandids (Orontids) was formed on the same territory.
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“Julfa Khachkar” Silk Scarf
Inspired by the Armenian Kachkars ruined by Azeris in Nakhichevan.
In 2005 the Azerbaijani authorities destroyed the Armenian cemetery in the city of Jugha in Nakhichevan with its thousands of valuable khachkars. They were displaced and broken by the use of construction equipment and thereby used as construction material, while the vacated area of the cemetery was turned into a military school. Thus, the Azerbaijani authorities have proven that they are capable of pursuing their policy of ethnic cleansing by destroying Armenian historical traces.
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“Julfa Khachkar” Scarf
Inspired by the Armenian khachkars (cross stones) ruined by Azeris in Nakhichevan.
In 2005 the Azerbaijani authorities destroyed the Armenian cemetery in the city of Jugha in Nakhichevan with its thousands of valuable khachkars. They were displaced and broken by the use of construction equipment and thereby used as construction material, while the vacated area of the cemetery was turned into a military school. Thus, the Azerbaijani authorities have proven that they are capable of pursuing their policy of ethnic cleansing by destroying Armenian historical traces.$90.00Quick View -
“Armenian Ceramics Of Jerusalem” Scarf
This beautiful scarf is inspired by an amazing piece of art created by late Marie Balian of Jerusalem.
The Balian Family of Jerusalem has been producing exclusive hand painted ceramic tiles and pottery since 1922.
This makes them one of the oldest-if not the oldest- business in existence in Jerusalem.
The studio is currently being run by Neshan Balian Jr, whose grandfather Neshan Balian Sr came to Jerusalem in 1919 from Kutahya, Turkey.
Neshan Balian Sr. and Megerditch Karakashian- a master potter and artist respectively- were brought over to Jerusalem by the British government and David Ohanessian , who was a ceramist, linguist and head of the Kutahya Ceramic Association, to renovate the ceramic tiles of The Dome of the Rock.$110.00Quick View -
“Armenian Ceramics” Scarf
Jerusalem’s ancient Armenian community experienced a major increase in numbers as survivors of the Armenian genocide perpetrated by the government of the Ottoman Empire beginning in 1915 found refuge in Jerusalem’s Armenian Quarter. The industry is believed to have been started by refugees from Kütahya, a city in western Anatolia noted for its Iznik pottery. The tiles decorate many of the city’s most notable buildings, including the Rockefeller Museum, American Colony Hotel, and the House of the President of Israel.
David Ohannessian (1884–1953), who had established a pottery in Kütahya in 1907, is credited with establishing the Armenian ceramic craft industry in Jerusalem. In 1911 Ohannessian was commissioned with installing Kütahya tile in the Yorkshire home of Mark Sykes. In 1919 Ohannessian and his family fled the Armenian genocide, finding temporary refuge in Aleppo; they moved to Jerusalem when Sykes suggested that they might be able to replicate the broken and missing tiles on the Dome of the Rock, a building then in a decayed and neglected condition. Although the commission for the Dome of the Rock did not come through, the Ohannession pottery in Jerusalem succeeded, as did the Karakashian the painters and Balian the potters that Ohannessian brought with him from Kuttahya to help him with the project in 1919. After about 60 years new Armenian artists started to have their own studios.
In 2019 the Israel Museum mounted a special exhibition of Jerusalem pottery in its Rockefeller Museum branch location.$110.00Quick View“Armenian Ceramics” Scarf
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“Armenian Alphabet” Scarf
The Armenian alphabet was created in 405 AD.
One of the greatest marks of the Armenian identity is the Armenian language. The exact origins of the Armenian language, however, are a little bit obscure. Such is the case with many ancient languages. Serious scholarship starting from the 19th century has placed Armenian among the wider family of Indo-European languages, although it forms its own separate branch within that group. So the language does not have any close relatives today, even Indo-European ones, such as Spanish and Portuguese or Russian and Polish might be considered.Armenian is also unique in its writing system. The Armenians use their own alphabet which was, by tradition, created following the studies and meditations of a monk, Mesrop Mashtots, in the early 5th century AD. Christianity had already been accepted as the national religion for a hundred years in Armenia, but the Bible was not yet available in the native language. The tradition goes that the main motivation to come up with a separate Armenian alphabet was in order to translate the Bible in such a way that would be accessible and suitable for the language and the people.
Mesrop Mashtots – who has since been venerated as a saint, as the patron of teaching and learning for Armenians – accomplished the task in the year 405 AD, thus setting the stage for a rich trove of works of religion and history, science and philosophy, illuminated manuscripts, and published books in the millennium and a half that followed, continuing on today. A major road in the capital of Armenia, Yerevan, is named for Mashtots, and one end of it is the apt location for the Matenadaran, the national repository of manuscripts which also functions as a research institute and museum.
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