• “Julfa Khachkar” Scarf

    Inspired by the Armenian khachkars (cross stones) ruined by Azeris in Nakhichevan.
    In 2005 the Azerbaijani authorities destroyed the Armenian cemetery in the city of Jugha in Nakhichevan with its thousands of valuable khachkars. They were displaced and broken by the use of construction equipment and thereby used as construction material, while the vacated area of the cemetery was turned into a military school. Thus, the Azerbaijani authorities have proven that they are capable of pursuing their policy of ethnic cleansing by destroying Armenian historical traces.

    $90.00
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  • “Armenian Ceramics Of Jerusalem” Scarf

    This beautiful scarf is inspired by an amazing piece of art created by late Marie Balian of Jerusalem.

    The Balian Family of Jerusalem has been producing exclusive hand painted ceramic tiles and pottery since 1922.
    This makes them one of the oldest-if not the oldest- business in existence in Jerusalem.
    The studio is currently being run by Neshan Balian Jr, whose grandfather Neshan Balian Sr came to Jerusalem in 1919 from Kutahya, Turkey.
    Neshan Balian Sr. and Megerditch Karakashian- a master potter and artist respectively- were brought over to Jerusalem by the British government and David Ohanessian , who was a ceramist, linguist and head of the Kutahya Ceramic Association, to renovate the ceramic tiles of The Dome of the Rock.

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  • “Armenian Ceramics” Scarf

    Jerusalem’s ancient Armenian community experienced a major increase in numbers as survivors of the Armenian genocide perpetrated by the government of the Ottoman Empire beginning in 1915 found refuge in Jerusalem’s Armenian Quarter. The industry is believed to have been started by refugees from Kütahya, a city in western Anatolia noted for its Iznik pottery. The tiles decorate many of the city’s most notable buildings, including the Rockefeller Museum, American Colony Hotel, and the House of the President of Israel.
    David Ohannessian (1884–1953), who had established a pottery in Kütahya in 1907, is credited with establishing the Armenian ceramic craft industry in Jerusalem. In 1911 Ohannessian was commissioned with installing Kütahya tile in the Yorkshire home of Mark Sykes. In 1919 Ohannessian and his family fled the Armenian genocide, finding temporary refuge in Aleppo; they moved to Jerusalem when Sykes suggested that they might be able to replicate the broken and missing tiles on the Dome of the Rock, a building then in a decayed and neglected condition. Although the commission for the Dome of the Rock did not come through, the Ohannession pottery in Jerusalem succeeded, as did the Karakashian the painters and Balian the potters that Ohannessian brought with him from Kuttahya to help him with the project in 1919. After about 60 years new Armenian artists started to have their own studios.
    In 2019 the Israel Museum mounted a special exhibition of Jerusalem pottery in its Rockefeller Museum branch location.

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  • “Armenian Alphabet” Scarf

    The Armenian alphabet was created in 405 AD.
    One of the greatest marks of the Armenian identity is the Armenian language. The exact origins of the Armenian language, however, are a little bit obscure. Such is the case with many ancient languages. Serious scholarship starting from the 19th century has placed Armenian among the wider family of Indo-European languages, although it forms its own separate branch within that group. So the language does not have any close relatives today, even Indo-European ones, such as Spanish and Portuguese or Russian and Polish might be considered.

    Armenian is also unique in its writing system. The Armenians use their own alphabet which was, by tradition, created following the studies and meditations of a monk, Mesrop Mashtots, in the early 5th century AD. Christianity had already been accepted as the national religion for a hundred years in Armenia, but the Bible was not yet available in the native language. The tradition goes that the main motivation to come up with a separate Armenian alphabet was in order to translate the Bible in such a way that would be accessible and suitable for the language and the people.

    Mesrop Mashtots – who has since been venerated as a saint, as the patron of teaching and learning for Armenians – accomplished the task in the year 405 AD, thus setting the stage for a rich trove of works of religion and history, science and philosophy, illuminated manuscripts, and published books in the millennium and a half that followed, continuing on today. A major road in the capital of Armenia, Yerevan, is named for Mashtots, and one end of it is the apt location for the Matenadaran, the national repository of manuscripts which also functions as a research institute and museum.

    $110.00
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  • “Yerevan Love” Scarf

    Inspired by the city of Yerevan and the love each and every Armenian feels for the city.
    The history of Yerevan dates back to the 8th century BCE, with the founding of the fortress of Erebuni in 782 BCE by King Argishti I at the western extreme of the Ararat plain. Erebuni was “designed as a great administrative and religious centre, a fully royal capital.” By the late ancient Armenian Kingdom, new capital cities were established and Yerevan declined in importance. Under Iranian and Russian rule, it was the center of the Erivan Khanate from 1736 to 1828 and the Erivan Governorate from 1850 to 1917, respectively. After World War I, Yerevan became the capital of the First Republic of Armenia as thousands of survivors of the Armenian genocide in the Ottoman Empire arrived in the area. The city expanded rapidly during the 20th century as Armenia became part of the Soviet Union. In a few decades, Yerevan was transformed from a provincial town within the Russian Empire to Armenia’s principal cultural, artistic, and industrial center, as well as becoming the seat of national government.
    With the growth of the Armenian economy, Yerevan has undergone major transformation. Much construction has been done throughout the city since the early 2000s, and retail outlets such as restaurants, shops, and street cafés, which were rare during Soviet times, have multiplied. As of 2011, the population of Yerevan was 1,060,138, just over 35% of Armenia’s total population. According to the official estimate of 2016, the current population of the city is 1,073,700. Yerevan was named the 2012 World Book Capital by UNESCO.[28] Yerevan is an associate member of Eurocities.

    $110.00
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  • “Garni Floral” Scarf

    The Temple of Garni is the only standing Greco-Roman colonnaded building in Armenia and the former Soviet Union. Built in the Ionic order, it is located in the village of Garni, in central Armenia. It is the best-known structure and symbol of pre-Christian Armenia.

    The structure was probably built by king Tiridates I in the first century AD as a temple to the sun god Mihr. After Armenia’s conversion to Christianity in the early fourth century, it was converted into a royal summer house of Khosrovidukht, the sister of Tiridates III. According to some scholars it was not a temple but a tomb and thus survived the destruction of pagan structures. It collapsed in a 1679 earthquake. Renewed interest in the 19th century led to excavations at the site in early and mid-20th century, and its eventual reconstruction between 1969 and 1975, using the anastylosis method. It is one of the main tourist attractions in Armenia and the central shrine of Hetanism

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  • “Trchnagir” Alphabet

    The Armenian alphabet was created in 405 AD.
    One of the greatest marks of the Armenian identity is the Armenian language. The exact origins of the Armenian language, however, are a little bit obscure. Such is the case with many ancient languages. Serious scholarship starting from the 19th century has placed Armenian among the wider family of Indo-European languages, although it forms its own separate branch within that group. So the language does not have any close relatives today, even Indo-European ones, such as Spanish and Portuguese or Russian and Polish might be considered.

    Armenian is also unique in its writing system. The Armenians use their own alphabet which was, by tradition, created following the studies and meditations of a monk, Mesrop Mashtots, in the early 5th century AD. Christianity had already been accepted as the national religion for a hundred years in Armenia, but the Bible was not yet available in the native language. The tradition goes that the main motivation to come up with a separate Armenian alphabet was in order to translate the Bible in such a way that would be accessible and suitable for the language and the people.

    Mesrop Mashtots – who has since been venerated as a saint, as the patron of teaching and learning for Armenians – accomplished the task in the year 405 AD, thus setting the stage for a rich trove of works of religion and history, science and philosophy, illuminated manuscripts, and published books in the millennium and a half that followed, continuing on today. A major road in the capital of Armenia, Yerevan, is named for Mashtots, and one end of it is the apt location for the Matenadaran, the national repository of manuscripts which also functions as a research institute and museum.

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  • Eternal Love

    Inspired by traditional Armenian ornaments and motifs.

    Eternal Love

    $110.00
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  • Spring Ornamental

    Inspired by the traditional Armenian ornaments and motifs.

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