Jerusalem’s ancient Armenian community experienced a major increase in numbers as survivors of the Armenian genocide perpetrated by the government of the Ottoman Empire beginning in 1915 found refuge in Jerusalem’s Armenian Quarter. The industry is believed to have been started by refugees from Kütahya, a city in western Anatolia noted for its Iznik pottery. The tiles decorate many of the city’s most notable buildings, including the Rockefeller Museum, American Colony Hotel, and the House of the President of Israel.
David Ohannessian (1884–1953), who had established a pottery in Kütahya in 1907, is credited with establishing the Armenian ceramic craft industry in Jerusalem. In 1911 Ohannessian was commissioned with installing Kütahya tile in the Yorkshire home of Mark Sykes. In 1919 Ohannessian and his family fled the Armenian genocide, finding temporary refuge in Aleppo; they moved to Jerusalem when Sykes suggested that they might be able to replicate the broken and missing tiles on the Dome of the Rock, a building then in a decayed and neglected condition. Although the commission for the Dome of the Rock did not come through, the Ohannession pottery in Jerusalem succeeded, as did the Karakashian the painters and Balian the potters that Ohannessian brought with him from Kuttahya to help him with the project in 1919. After about 60 years new Armenian artists started to have their own studios.
In 2019 the Israel Museum mounted a special exhibition of Jerusalem pottery in its Rockefeller Museum branch location.

This beautiful scarf is inspired by an amazing piece of art created by late Marie Balian of Jerusalem.

The Balian Family of Jerusalem has been producing exclusive hand painted ceramic tiles and pottery since 1922.
This makes them one of the oldest-if not the oldest- business in existence in Jerusalem.
The studio is currently being run by Neshan Balian Jr, whose grandfather Neshan Balian Sr came to Jerusalem in 1919 from Kutahya, Turkey.
Neshan Balian Sr. and Megerditch Karakashian- a master potter and artist respectively- were brought over to Jerusalem by the British government and David Ohanessian , who was a ceramist, linguist and head of the Kutahya Ceramic Association, to renovate the ceramic tiles of The Dome of the Rock.

Silk Scarf Pomegranates

Size ՝ 1.40 * 45cm

Silk Scarf Pomegranates

Size ՝ 1.40 * 45cm

 Cashmere scarf “Of my motherland Armenia” by Gandz

Silk, chiffon and cashmere scarves from the  GANDZ studio.

“Of  my sweet Armenia ․․․”

Cashmere scarves from GANDZ Gandz studio, made on the basis of Meruzhan Khachatryan’s paintings which is based on on of the great and lovely poetry of Yeghishe Charents “Of my motherland Armenia…”  paintings by Gandz

Cashmere scarf “Armenian carpet Khachen” by Gandz

Silk, chiffon and cashmere scarves from the  GANDZ studio.

In design of  this cashmere scarf  is used one of Armenian carpet design  with elements  of artists  paintings by Gandz

Cashmere scarf “Armenian bird letters with still lifes,  Ararat, pomegranates, church, a lamp and a wheel” by Gandz

Silk, chiffon and cashmere scarves from the  GANDZ studio. Design of each one is based on one or two of the original painting of Meruzhan Khachatryan.

In design of  this scarf  were used artist’s two paintings.  “Eternal values” and “Armenian still life with lamp and kamancha ․”

Cashmere scarf  “Armenian girl running to motherland” by Gandz

Silk, chiffon and cashmere scarves from the  GANDZ studio.

Design of each one is based on one of the original painting of Meruzhan Khachatryan.

The original painting of this scarf has a different name but decided this name for this scarf