King Levon II and Queen Keran . The Armenian Patriarchate of Jerusalem.Location: Cilicia,1272 AD the city of Sis.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods. While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
Ascension. Jerusalem, 13th century.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods.
While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
Crucifixion: Armenian Patriarchate of Jerusalem, manuscript number 2563, Gospel of Queen Keran, Cilicia, 1272.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods.
While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
St.Nerses the Graceful: Yerevan, by Levon Zakyan, 2022.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods.
While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
Holy Resurrection: Armenian Patriarchate of Jerusalem, manuscript number 2563, page: 176a, Gospel of Queen Keran, Cilicia, 1272.
Holy Resurrection: The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnished to preserve traditional medieval methods. While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
Adoration of the Magi: Toros Roslin, Gospel of Malatya. In 1268 Matenadaran.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods. While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
St. Nerses the Graceful: Yerevan, by Levon Zakyan, 2022.
The Last Supper: Armenian Patriarchate of Jerusalem, manuscript number 2563, page 266a, Gospel of Queen Keran, Cilicia,1272.
Saint George the Victorious: Yerevan Matenadaran, manuscript number 6305, page 282b, 14th century.
St. Sarkis the Warrior : Yerevan, by Levon Zakyan, 2022.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods.
While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
St. Gregory of Narek: Yerevan Matenadaran, manuscript number 1568, Monastery of Skevra (Cilicia) by Grigor Mlichetsi, 1173.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods.
While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
St. Gregory the Illuminator: Yerevan, by Levon Zakyan, 2022.
The miniature icons are painted with modern tempera paints, on recycled wood, measuring 30x42x3cm. We used shiny gold leaf (imitation) and varnish to preserve traditional medieval methods.
While it is possible to substitute the types of materials, we maintain the skills and traditional rules of miniature art.
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